Norman Clifford was one of many talented and enterprising Australian artists who created opportunities for themselves in a competitive comic book market in the 1950s by creating stories which resonated with local audiences, and stood out among the American and British comics which crowded newsagents' shelves at the time. His passion for aircraft and aviation history inspired him to create a string of successful air combat-themed comics that capitalised on the Royal Australian Air Force's then-current involvement in Korean War (1950-53), and the postwar fascination with breakthroughs in aviation technology.

The following is Norman's own recollections of this exciting early phase in his decades-long career as a cartoonist and commercial artist.
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I originally wrote 'Antipodean Currents' in 2016, after being commissioned to write a brief "layman's history" of comic art in Australian and New Zealand from the late 19th century to the present day. It was originally intended for an academic essay collection, but the project was eventually cancelled, and it never saw print. I subsequently made an illustrated PDF version of this essay available on my Academia page, but this was only available to Academia.edu subscribers.

I originally wrote 'Antipodean Currents' in 2016, after being commissioned to write a brief  "layman's history" of comic art in Australian and New Zealand from the late 19th century to the present day. It was originally intended for an academic essay collection, but the project was eventually cancelled, and it never saw print. I subsequently made an illustrated PDF version of this essay available on my Academia.edu page, but this was only available to Academia.edu subscribers.

This is a portrait of a paperboy in Collins Street, Melbourne, taken by photographer Mark Strizic. It was reproduced in a book of Strizic's photographs, "Melbourne: A Portrait", published by Georgian House in 1960.

Mark Strizic (pictured below in 1958) was born in Berlin, Germany, in 1928, but following Hitler's rise to power in 1933, his family fled to Zagreb, Yugoslavia (now Croatia) the following year.
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The Australian Cartoonists' Association announced on 25 November 2020 that acclaimed Australian comic-strip artist, Yaroslav Horak, had passed away after a decade-long struggle with Alzheimer's Disease. The following blog post is a revised and expanded version of my article, 'Yaroslav Horak: The Man Behind the Masks', which was originally published in Giant Size Phantom, no.9 (May 2019).
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The following is the second (and final) part of my revised and updated account the "Gully Foyle" comic-strip saga, which  I originally wrote for the long-expired PulpFaction.net website back in 2007. You can read the preceding installment by clicking here. You may also want to read Daniel Best's comparable account of Reg and Stan Pitt's "lost" comic strip masterpiece at his  20th Century Danny Boy blog.
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The following is a revised and updated version of the article I originally wrote for the long-expired PulpFaction.net website back in 2007. Since then, the full story behind the “lost” comic-strip adaptation of Alfred Bester’s SF novel, The Stars My Destination, has been told in even greater depth by Daniel Best on his 20th Century Danny Boy blog.
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NOTE: This blog entry is a modified version of a post I submitted to the "Australian Comics History 1960-2010" Facebook group on 20 June, 2020. The questions I raised here generated a lot of enthusiastic debate and discussion, so I thought I'd share it with the readers of this blog, as it may be of interest to the broader community of Australian comic-book fans, collectors and historians.
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The Ledger Awards were launched in 2005 to formally recognize both outstanding new works by Australian comic book/graphic novel creators, as well as acknowledge the work of earlier writers and artists who made historically significant contributions to Australian comics.
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All content on this blog, unless otherwise stated, is copyright © Kevin Patrick. Material appearing on this blog may be freely cited elsewhere for purposes of criticism and review, so long as you provide a link back to the Comics Down Under blog. All other material appearing on this blog (such as externally sourced artwork, article reprints/extracts, etc) are copyright their respective copyright owners and are reproduced here under the "fair dealing for purpose of criticism or review" provisions of the Copyright Act 1968 (Australia).
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